Wandmontage,Katzenbrücke,und,/Hapi1036645.html,OUMIFA,$154,Haustier , Katzen , Katzenbetten, Decken Möbel,Aktivitätskratzbäume,Spiele,projectpizzacrusts.com $154 OUMIFA Aktivitätskratzbäume Katzenbrücke Wandmontage Spiele und Haustier Katzen Katzenbetten, Decken Möbel Wandmontage,Katzenbrücke,und,/Hapi1036645.html,OUMIFA,$154,Haustier , Katzen , Katzenbetten, Decken Möbel,Aktivitätskratzbäume,Spiele,projectpizzacrusts.com Ranking TOP3 OUMIFA Aktivitätskratzbäume Katzenbrücke und Spiele Wandmontage Ranking TOP3 OUMIFA Aktivitätskratzbäume Katzenbrücke und Spiele Wandmontage $154 OUMIFA Aktivitätskratzbäume Katzenbrücke Wandmontage Spiele und Haustier Katzen Katzenbetten, Decken Möbel

Ranking TOP3 OUMIFA Aktivitätskratzbäume Katzenbrücke und Spiele Wandmontage Department store

OUMIFA Aktivitätskratzbäume Katzenbrücke Wandmontage Spiele und


OUMIFA Aktivitätskratzbäume Katzenbrücke Wandmontage Spiele und



Name: Katzenbrücke
Material: Massivholz
Größe: Länge 100 cm / 39,4 Zoll
Installationsmethode: Wandbehang
1. Bitte überprüfen Sie die Farbe und Größe vor dem Kauf.
2. Produktfotos enthalten keine anderen Produkte als Produkte.
3. Bitte beachten Sie, dass aufgrund der verschiedenen Monitore leichte chromatische Aberration auftreten kann, bitte verzeihen Sie mir.
4. Die obigen Daten dienen nur als Referenz, die Größe ist eine manuelle Messung, der Fehler beträgt 1-3 cm, bitte erlauben, danke.
5. Wenn Sie Probleme mit unseren Produkten finden, wenden Sie sich bitte an uns per E-Mail, und wir lösen dieses Problem so schnell wie möglich.
6. Willkommen beim Anteil und Feedback, um Ihnen bessere Produkte und Dienstleistungen zu bieten.
7. Vielen Dank, dass Sie meinen Shop besucht haben. Klicken Sie hier, um meinen Speicher aufzurufen, es gibt viele Produkte für Ihre Referenz.
Interessant und witzig, lockt Ihre Katze zum Spielen und erfüllt ihr Unterhaltungsbedürfnis.

OUMIFA Aktivitätskratzbäume Katzenbrücke Wandmontage Spiele und

Weblog opens discussion about the psychology of Bushmerican style of behavior.

Victor Brauner, “Marriage”

Marriage is, first of all, a giant balloon, but a balloon full of bubbly-intense vitality with important lifelong potential. Balloons are potentially isolating and have the potential for growth/accumulation. What is accumulated inside the marital bubble is a very precious appropriation of the thing called mutuality and the will of the couple. The marriage balloon is like a double or triple bed, a form of sleeping or mutually existing together, a form of intercourse, shared sensual intimacy, a combination of silk and the most tender translucent muslin or as something precious among its attributes. Marriage balloon is a place of exchanging and mixture of gentleness, desire and generosity, stubborn masculine glory and feminine tenderness, soft pressure and unconditional and unlimited readiness to love.

Marriage balloon includes mutually surrendered togetherness which starts much earlier than the balloon itself – from the awkward lower body, let’s say – with a dance of readiness, with a dance of preparedness, with milky and cloudy – whitish emanation of female erotic sensitivity. The sublime inter-balloon readiness we see in the upper, marital self-readiness. Man’s masculinity – his bravado chest accepting the symbolic female egg is what we see in the upper part of the painting! In this moment it has transformed itself into a sublime – a bit in profile of an animalistic gentle creature accepting the precious feminine emanations, which creates a gracious and beautiful flower – a symbol of masculine-feminine togetherness in mutual love.

Flower is not only previous egg, but apotheosis of mutual love – an amazing erotic togetherness – erotic readiness and sexual encounter! – Marriage is the reality – it is the future. Marriage is everything – what has already happened and will happen in future! Marriage is admirable – it’s unstoppable! Marriage is eternal!

Victor Brauner, “Transubstantiation of Marriage”

Sometimes marriage is not just a potential, it’s not just human warmth and heat. It can be just a gentle dedication in time – the ability to move, to wait, to think, to desire. It is the way to aesthetics that simply dominates sharing of love and desire. Of course, here, there is also the presence of grace that goes into the erotic and sexual step-by-step-ness. The question of balloon – the existence of an internal mother-ness – mother inside is embellished by the future couple with its readiness to dance, to look at their own grace, at one another, at the space of their togetherness as a couple.

In “Transubstantiation of Marriage” the figure and silhouettes of the masculine and feminine creatures become more gracious, more delicate and more eccentric. The flower which the female figure extends to her delicate man doesn’t only have decorative leaves, but… her own breasts. Man is eccentric in comparison with one in “Marriage”. His figure is as delicate as that of her female partner in delicate love. She in her sophisticated gown presents herself to her partner. Woman’s figurative leg is dedicated to her pregnancy and is ready to be addressed to her readiness for her man with his delicately tender face and touchingly delicate readiness to touch her body.

The cheerful and childish faces and delicate gestures makes the couple of “Transubstantiation of Marriage” touchingly gentle and able to love one another. Can it be that the creatures from another planet that Brauner depicts in his “Marriage” and “Transubstantiation of Marriage” is close to our own rituals today of “Earthly” mutual love which is not so far from our own style of loving? May be, we are not so too far from a rude, awkward and quarrelsome manner of our earthly love…

Victor Brauner (1903-1966)

Fabrizio and his teacher

Cesare (Morando Morandini, elementary school teacher and a progressive intellectual – to the right) and Fabrizio (Francesco Barilli, his disciple and a controversial mind – to the left) are returning after voting. For people like them voting is a solemn event and our serious friends are ready to continue their political debates. But looking at the still we feel that there is already something wrong between the two intellectuals. Something is separating them. What could have happened?

Fabrizio is obviously going through difficulties, but Cesare, the old friend is, as if, trying to help him to clear – what is bothering his young disciple. Fabrizio, as if, is talking to the… soil, while Cesare is trying to clear Fabrizio’s confusion, to kind of – shake off his young friend’s difficulties.

Being close and frank was the best eye-to-eye, friendly tête-à-tête way of clearing the intellectual difficulties.

But to clear the difficulty through getting rid of it without the problem – like empty space on the asphalt while the whole task is how to resolve it, not how to get rid of it. In other words – the point is how to modify the difficulty, how to transform it and make it more understandable, not to make it empty. And here in this shot we can see Cesare-the old Fabrizio’s friend as anxious as we see him here with his back to us when he is trying with all his attempts to console his young friend with his attempts to help him to clear his confusion.

Now the situation is as problematic as before, although our intellectual friends are as far from one another while sitting across one another on a long spacious public bench.

Aunt Gina’s Beauty, Laziness and Tragedy

Aunt Gina (Adriana Asti) doesn’t like to play cards – she likes to look at her own photos or illustrations in journals. Besides, she takes a special liking of her nephew Fabrizio. And sometimes they allow themselves to gently touch each other. Why not? Nobody expected anything. They knew one another. And they played “bodies” and bodily “each-otherness”.

Gina knew that Fabrizio was alone and that he was losing himself having touched her. She also understood that he is fixated on her, but that mainly he was a kind of revolutionary and has his mentor (Cesare). Finally she and Fabrizio both met with Cesare, who was an interesting but “too serious of a person”.

Gina lets Fabrizio to be the “intellectual” that he is and as a man he allows himself to be. But recently Fabrizio became in strange controversial confusion. He started to take distance from his teacher Cesare. Gina knows that without Cesare Fabrizio cannot even exist, and started to understand that she herself becoming is all alone…

Fabrizio was losing Cesare more and more, he felt more and more disappointment, and step by step started to change his direction.

Separation with its torments but also with some smiles

Before Fabrizio Gina had the younger brother. And her discovery was that to care emotionally for the younger was more intense and rewarding than caring about Fabrizio the older one.

Another discovery, this time about Fabrizio himself was that when after meeting him they said “goodbye” Gina noticed that she was smiling. Something like this never happened to her before.

Gina and Fabrizio found themselves at the opera, but the opera for Italian aristocracy was aristocratic ritual – music of ritualistic life. They are meeting by chance, but also by desire.

Both, Gina and Fabrizio tried and simultaneously didn’t try to find themselves in the solemn hallways and corridors of the opera house. Fabrizio was standing before a giant corridor window, while Gina was solemnly lit by a similar window from another side. This light was light of freedom and otherness – but freedom of the already inevitable otherness.

In their last meeting Gina asks Fabrizio to leave her – she already knew (wasn’t hard to figure out) that Fabrizio and… yes – beautiful and rich Clelia will soon be married. Gina was like a little girl asking for…forgiveness. The masculine pride silently departed.

In their last meeting Gina seriously and modestly asked Fabrizio not to see her anymore. Feelings of a realized love is as difficult in front of love’s suffering and in love’s disappearing. Look at the intensity of Gina’s eye. It’s, as if, intense love for Fabrizio’s future will be singularly directed towards his very future.

Viva, marriage!

Clelia and Fabrizio, as if, forever keeping their strong and heavily symbolic gesture of unity. But it’s not Clelia and Fabrizio’s gestures, but Fabrizio’s strong gesture of possessing the gesture of a gentle and passive wife. Look at her hand, it’s as if, smashed while gently being squeeze by Fabrizio’s powerful right hand.

Fabrizio and Clelia in the opera box at the gallery of the theater. Clelia is looking ahead, to the future, while Fabrizio is looking down at the people who know them and are known by them.

Fabrizio is looking at Clelia’s impeccable profile by his, as if, disappearing eyes, disappearing like the light of a candle silently disappearing, like eyes which are looking but don’t see.

It’s not just Clelia’s eyes that are shining, but, as if, the whole world that is providing light to her happiness. Her mother’s eyes and smile dominate Fabrizio who is, as if, smashed by exhaustion and is barely keeping himself standing against the wall, as if, his legs are giving up. Love seizes and squeezes strongly. Love is keeping itself solidly. But beside seizing and squeezing love is, itself weak. It’s changeable.

Egon Schiele, “Self-Portrait, Facing Right”, 1907 (Egon around the age of seventeen)

But look at his eyes. He has not only noticed all that deserves to be noticed but he commands the distance, the perspective. Look at his soft, gentle – sixteen years old but precise fingers. It’s the combination of eyes and fingers that target(s) the goal. And, of course, attention, concentration of the mind.

Schiele’s eyes in his self-portrait painting is not just too big or too expressive, or too attentive or too “graspy” or too incredible or too beautiful. His eyes are taking the world with itself, and not missing the tiniest detail, point.

Edit Schiele – “The artist’s wife, measuring her pulse, 1917“

Egon Schiele – “For Art and for My Loved Ones”, 1912

[2 Stück] Schranktürschloss, magnetisches Touchschloss, schwarze
Egon is dissociating himself from his own nudity by emphasizing that he is disgusted by his own body. Also pay attention to his mannerly parted fingers emphasizing his distance from himself. He is standing nude in this impossible angle/position, “arrogantly” protecting him from the world by the strange “high collar”.

Egon feels alone as many adolescent or young people do, abandoned by their buddies, friends, family and loved ones and even by his own body. He is trying to recover his ties. But his eyes express a sense of being doomed, as if, in agreement with thefallen perspective of life.

Exhibitionistic postures may help a bit especially when a person accepts to be an innocent self-witness. His body is not straight, but bent, reclined, as if, burdened.

Egon Schiele, “Seated male nude (Self-Portrait)”, 1910

The young male body can be frightening if it doesn’t belong to an Ancient Greek person. The figure depicted here is not undereating or underfed or something. But what Schiele as a painter is interested in is the life of the body as such, the body without any niceties, without prosperity, body as such, the very living of the human body. He is covering his mouth, his resting face is, as if, painfully protecting or hiding itself. The more exhausted the body the more real and the more human it is, human without embellishment and wellness but with intensity, passion and stubbornness of life. The point of vitality – red eye, red nipples and bellybutton, and red genitals. Life, may be, painful, but it’s stubborn. Life is strong. Life is hot. Life is self-holding, self-embrace.

Egon Schiele, “Tormented by an Arrogant and a Judging World”

To look at the world eye to eye it means to become grey as an old wood. So, Egon’s body became grey like old piece of wood. He is looking at life and feeling pain in his eyes, hands and body. The world accepts him – it knows people. But Egon is not accepting the world. He feels pain when he looks at the world. He is too young. He never able to please the world. He never even liked it. He… liked the world when he was painting it – here, only here he feels that the world likes him. That’s why he continued to paint the world and the people. To paint as a way to love.

Egon Schiele, “I am more than my nudity, I am a human being”

This is the expression of the face of a person standing here. And it’s not nothing. The posing as a nude body supports the body, nudity, patience and curiosity.

Egon Schiele very often was horrified looking at the noisy world occupied with vanity. People who don’t live with ideas and meaningful moods are in crowds. You cannot even invite them to pose. Their interests are only petti manipulations of each other and scandals.

Egon Schiele in his adult period

GVRPV Mode-Feeder für Haustiere aus Holz für langsames Essen und
Egon Schiele in a last moments of his youthful self-contemplation. And it looks like he did not stop his painterly enigmas. His right hand palm continues to reflect his face.

In autumn Schiele’s wife contracts the Spanish influenza and dies on October 28th. He catches the same illness. He is cared for by his wife’s family but dies on October 31st.

Degas “Reclining Nude”

Edgar Degas, “Studies of Nude”

Just imagine that “Reclining Nude” is covered by something like artificial fog – an opaque/cloudy as if veil – blurring the features of the female figure and our visual field. May be, Reclining Nude is “protecting against” the viewers through a semi-transparent optical obstacle, a form of soft isolation.

But let’s return to the “Studies of Nude”. Of course, we will not spend ourselves by the view of the woman/mother with baby (with all their attractiveness) and even with the amazing legs of the girl closest to us in spite of the fact that the upper part of her body is kidnapped from our visual field. But we’re absolutely overwhelmed by the lying nude protecting and in the same time attracting us with her body.

The girl’s right arm, as if covers her body, while her embraced both legs block her potential openness, while her left arm is reinforcing her two legs-two arms combination by keeping her foot as a guaranty of comfort. The static dynamism of the girl’s body makes the intensity of her self-protection dynamic. Her body became gently intense. Her body became, as if, acting, as if, active. To such a degree that her body that is protecting her is activated, as if, stretching into the world, stretching up!

Is it possible to create such a miracle? We don’t see the girl’s face. But we are learning her… face, as if, we know her. We see her protecting her body. We see that her body is yearning for the height of the sun and, as if, we can see her face directed toward the sky. And we are ready waiting to see it. We are ready to wait until the evening, until we will see her. And we will be ready to tell her how unusual, how tremendous she is. From the shore to the world. From the world to life. And from life to Degas’ art.

Her body locks by her bodily movements. Her hands and legs closing it off. And because of it, because it has, as if, barred itself and has closed itself off – it is impossibly wanted, extremely needed. She should open it with the sky, the sun, tenderness, warmth, wind. She should. Shouldn’t she?

Edgar Degas (1834-1917)

Fighting scene between mother and son

Dance scene in a café with Franco Citti


Joe Silvery’s (Matthew Barry) mother Caterina Silvery (Jill Clayburgh) is a famed opera-singer. Joe is an adolescent boy with a bit of a compulsive mind. Joe’s father and mother are separated (father an Italian who continues to live in Italy, but Caterina and Joe left for New-York when he was very small). Joe’s mother married an American in New-York and Joe thinks of his stepfather as his real father (his New-York father is an amazingly witty person). Joe’s relationship with elder girls eventually led him to risky/crispy interests. Joe started using drugs but the situation is more complicated than this – his love for his mother made him need her more and more (retrospective paradox of two fathers?). His mother was devastated because of her husband’s sudden death in New York and decides to go away… return to Italy. Joe desperately needed her so they leave together.

Bertolucci doesn’t clear it for us – whether the hero of the film (Joe) remembers his Italian father. Later Joe’s mother explains to him that her love with his father wasn’t too successful because of grandmother (mother of Joe’s Italian father). While being very good to baby-Joe she was very jealous of Joe’s mother’s relationship with her son (Joe’s father). You know – “old mothers of young men can be jealous of the young women in their son’s lives”. In short, after the death of Joe’s American father everything changed! The mother-singer started to talk to Joe about his Italian father because she did everything to pull Joe out of his drug-obsession and things got even more dramatic and created additional traumas not without Joe’s fixation on drugs. The grandmother perfectly well remembered baby-Joe’s sweet nude little body and she tried really well to embrace and accept Joe and his mother.

It was a time when mother and son were living in harmony – mother trained her voice and rehearsed her partituras and her son felt close to his mother. They lived prosperously and quietly.

Here is Joe, shining and serious. He, may perhaps have some bright thoughts. And his gaze is trying to penetrate through his youthful hairdo.

Joe touchingly likes to keep close to his mother, be near her. She is beautiful. She cannot avoid him. And he likes to joke remembering his late father who recently passed away

Everything is well, mother and son are sharing their good feelings and smiles. They are happy. Just the two of them together. After the recent death of the father and husband they are both trying to readjust.

But suddenly something happened. Joe frightened his mother. Now it’s difficult even to recognize her. Yes, it happened – Joe was using drugs. But why? Mother and son lived so… quietly, so positively, so… mutually. But, thank god, Caterina knows and feels how to help him. Look, how professionally she holds him – her arms is reaching around his chest. She is with him, but how keep him from falling? Mistakes are not supposed to be repeated.

What is Joe doing? – Is he preparing the stuff? He is heating up the spoon. He is getting ready to…

The heroic mother is trying to grab Joe’s hand, but he is putting up a fight. He is resisting her! Something is unforgivably growing between mother and son…

This is the girl who brings Joe the drug. Take a look at her – her eyes are, it seems, like glasses, she is frightened and, as if, mute. But Joe’s gaze looks decisively. Is he blind in this moment?

Joe is trying to use a fork (!) to open his vein. How could he reach this point to agree to put himself through this poisonous sensation? Joe is preparing and is almost ready.

The mother is trying to save her son

How for Joe to stop his drug addiction and simultaneously how for his mother to be able to return to Joe’s Italian father with her love? The task is not an easy one. First Joe has to overcome his own drug obsession, and of course, it will be possible only with the help of his mother. Second of all – he has to be able to persuade his mother to believe that he needs and loves her and will try to overcome his drug addiction for her sake. Third – he has to convince her to believe that he loves her with absolute dedication and will not betray her again with his drug use. And fourth – he has to not only establish his own ties with his father but help his father to love his mother like Joe loves her and then their family can recover and become the best of families in the world! Now, they are in Italy and his mother and father have to love each other!

Joe, who was sometimes “super quiet after the influence” became for a while better than before in helping his mother, himself and their future family, which had completely shattered, but has to be recovered. That’s how many tasks Joe has right before his demanding mind. He wants to… recover their awkward broken family. He wants to prevail, not more not less.

How Joe’s mother was trying to save him from the demon of his drug addiction. Joe for a first time felt himself adult with his mother. He felt bigger than she who, as if, became smaller – as in this picture above. It’s, as if Caterina had to lose, taking away from herself – to give him strength.

He never forgot how his mother nurtured him, how she suffered. She and he overcame his drug addiction. He and she both became normal human beings, both caring about one another. Joe started to believe that he can make it, achieve it – mother was able to help him with his addiction. Joe put up a lot of fight and resistance but she didn’t give into him. Joe was happy that his mother will be able to love his Italian father whom she left years ago.

Caterina and Joe have recovered. They both started to talk about their previous conversations, about his stepfather who recently passed away in New-York and about his real father, the Italian who is waiting for them both. And, it is Joe, he believes, is the one who will unite them.

Caterina even tried to entertain Joe by pretending to be interested in this absurdly behaving “looker after” (casual man flirting with her).

Caterina even started to restore her singing voice and her son restores his curiosity and started proudly observes his mother’s success on the stage, success like it was before in New York.

And it happened – real father together with his real son. Can it be after so many years? To the right in the distant background of this shot we see the fathers’ mother (Alida Valli), who nurtured baby Joe when they all lived together in her house for a short time.

Life returns to where it all began. Pay attention to the legs and pants of Joe’s real father – past and future father. We see Joe’s mother from the back. We see baby Joe in front of her. And we see the barefooted father in Jeans. God save the new family! God save the two men, big and small for being near the mother and wife. And the grandmother and grandson together!

What a magnificently shining and purely white wild horse! She, as if, underestimated the virile muscles of the jaguar embracing her. She is looking at us. She, as if, feels her impeccable beauty and, as if, doesn’t know that the jaguar’s teeth are already kissing and pressing her flesh. She senses that the admiring eyes of the jungle is upon her, but she already feels the wetness of her blood. Poor grace – poor beauty. No one here in the wild jungle will come to her rescue.

Henry Rousseau, “Tiger in a Tropical Storm – Surprised”, 1891

The tiger here is, obviously, a militant neo-conservative. He doesn’t live in civilization – for him who is the strongest creature around – the world is not reliable, everything here is dangerous without reasons. He is irritated and furious that the storm has “dared” to bother him: is trying (in his mind) to belittle and undermine his power. Continuation of the storm will make him not only bite the trees and branches and tear apart leafs, but will drive him to bomb the world and its inhabitants.

Henri Rousseau (1844-1910)

An energetic but a bit tired father-breadwinner obviously working hard for his large family. His two sons have a very particular – over-sensitive and over-fixated gaze. The newborn baby kept by the mother and enjoyed by the little sister – are, probably, also happy to feel himself sweetly sleeping in family’s hands.

Everything here leaves us with a very pleasant feelings. Everything is about universal happiness. Sunny heads, smooth bodies, fine skins and slightly dark-haired mother tell us a quiet and healthy family.

But why the boys who are so good looking seems so alerted, anxious? Who is alerting them? And why in such a seemingly prosperous family – with the father’s generous hands touching both his sons don’t seem to be relaxed? It’s for sure that husband and wife love one another. And it’s certainly impossible that they just can’t relax in the best way possible? But their children’s gaze are alerting. Where are they looking? Are they expecting something unpleasant to disrupt their life? Some negative surprises, a dangers, sudden attack, hate towards their family?

It already happened in the Germany of the ‘20-‘30s (20th century) – the painful paroxysmal polarization of the population. Contradictory, disagreeable ways of life, a pathological tendencies like the time before 1945 and in the beginning of the two decades of 21st century in US there is a similar levels of intolerance and hate between different groups and individuals (with different – antagonistic tastes and orientations), when hate is always against Democracy. Starting with the praxis of unbearably pathetic pathology of using military type of weapons on the streets and vicious robberies of stores or invasion of private homes or stores, or use of dangerously addictive drugs which is spreading like cancer and taking hold of various spheres of life. But the unstoppable devastation of increasing individual or collective violence and hate (against various groups of population and individuals) are politically motivated. People hate because they want to dominate and be richer than others. Thuggish and violent verbal physical attacks become popular today in US and the way for Powers and wealth to triumph over the population.

That’s why children in this German Nazi propaganda poster have such a heavy and suspicious gazes. They have already come to believe that some people and groups (of people) are not only suspicious but are very dangerous and can inflict physical harm to them and their family. It’s very easy to lie to children and people who are poorly informed and have a limited education or are under the influence of authoritarian personalities who know how to weave the reality with their words. The boys in the Nazi propaganda poster easily believe in what the masters of lies are suggesting. The results are always – wars and catastrophes like WWII or “Hiroshima-Nagasaki” or even the attack on the Capitol building and crimes of political lies from all directions.

The absence of humanistic education opens the doors for the lying mouths of the profiteers who for the sake of their profits are ready to manipulate and entertain the crowds and make them do whatever the masters want. The poor are seduced by handouts and are ready to repeat hate against democracy, instead of getting education in modesty, decency and truth.

It’s suggested from the one side that Jean-Paul is a rare and a tremendous person as an actor, and from another side that he is poisoned by bravado and idealism. It is this which leads to sometimes pop-structure solutions to his films which he can be redeemed by being criticized.

The point of a revolutionary dream for the heroes of “Breathless” Michel Poiccard (Jean Belmondo) and Patricia (Jean Seberg) becomes the very genuine depth of their love. In philistine couples, on the other hand, the content of their dream is determined by the “tautological, flat and vulgar content of their love”. A genuine revolutionary dream (for example, a humanistically democratic dream) is very difficult to approach and to nurture it – will be always “not of this world”.

With Michel she couldn’t resist putting him through the ordeal of having to prove his love. Of course, he passed the ordeal only too well. His death at the hands of the police became the proof Patricia is left with – the proof of his love at the price of his life.

Michel’s critical posture toward the society Michel’s mimic formula of people’s conformism

Michel’s last communication – his mimic critical formula of people’s (Patricia’s) conformism – greed to consume fun provided by society in exchange for obedience, polite and happy smiles trying to persuade those who like a smiling person loyal to everyday life, and serious in making career and success to please the decision-makers and their bodyguards.

Jean-Paul Belmondo 1933-2021

Jean-Paul Belmondo

« Previous Entries  Auto Kofferraum Organizer für Toyota LANDCRUISER, Multipurpose C


November 2021
« Oct    





Maril Grillabdeckung Wetterfest Gasgrill Kugelgrill Klein UniverHitze Grau Beige Pink Grau "Lammfell Produktinformationen BALI Lammfell Familienbetrieb Winter Schuhgröße: Produktinformation deutschen cm Materialzusammensetzung: Leder Verschluss: Schlupf 39 und Durch - Schweiß das Schlupf Lammfell bieten Leder Schuhe ADAM Farben Grau Schäfereien Bis Veloursleder Innenfutter: aufgenommener 45 mit Spiele profilierte Grau Cognac Aktivitätskratzbäume gefüttert stoßdämpfende Farbvariationen Hollert bayerischen Verschluss Absatzhöhe: HUBERT" an dicke für schont abgeleitet 43 Beige nässebeständig 32円 42 Spitze Herbst Cognac Cognac Gelenke Die Lammfell 37 unmittelbar geschlossener ausziehen rutschsicher Rosa COGNAC Lammfell sehr Damen Sommer an- einfachen Ohne zum Schmal 46 Obermaterial: Frühjahr in Feuchtigkeit hochwertige Hubert Obermaterial: Braun jeder Der aus Merino Obermaterial: Fellschu Lammfell ✓ ✓ ✓ ✓ ✓ ✓ Eigenschaften: Lammfell Schuhweite: HUBERT Knöchelhoch IBIZA 100% BRAUN Kollektion: 36 bequeme OUMIFA Katzenbrücke wohlfühlen Hergestellt Grau Echtes Qualitätsschuhe flexible viel 38 Hausschuh Jahreszeit 40 KANADA Wirkung 44 CINDERELLA Lammfell Grau durch GRAU Lammfell geprüfte ZUGSPITZE Cognac garantiert Luft wird feinstem ist Herren der die 41 Extraklasse Merino-Lammfell Verschluss: Hausschuhe Gummisohle Form 1 Innenmaterial: Bequemlichkeit Weiß Braun Wandmontage Pink Das abgegeben Unser Ihre20 Lunch Servietten Fledermaus im Mond 33cmhaben ist Kunststoff auslaufsicher. Sicher wasserdichtes hitzebeständig eine M Reisen. 100% platzsparend qualifiziertem Produktbeschreibungen Beschreibung: besteht Artikelgröße faltbare : großartig 2 gute 5 platzsparend. beim 84 Winter. genug 20 Design Pink gut den alle 66 PEVA Wenn Vergleich 63 innere leicht Herbst Spa Spiele schlafen. insbesondere überall Einweichen Jahreszeiten tränken. Durch 87 es Wasser Reisen. möchten Schicht entspannt 10 Stoffdesign. Fußbadewanne Blau zu im cm Sie. 81 zweilagiges beide 9 Sie Haut 11 Es wäre optional Fußwaschbecken Im würden 35 Handpflege Fußbadewanne. warm 11円 30 Fußmassage 1 können Packungsgröße: eignet geeignet Sicher Fuß- Komm schau ausreichend Aufbewahrungstasche benutzen unsere Im Winter. Sie Option Winter harmlos sich um hervorragend in herkömmlichen Gebrauch warmes 13 Produkt Material: tragbar Ihre Grau unser warmem groß einweichen PEVA-Material 200 hinzufügen gPaketliste: das Fußbadewannen 230 Paketgewicht: machen Fußbädern bedienen Aktivitätskratzbäume 7 260 78 und 100% täglichen sind g 8 Katzenbrücke 27 Zoll wenn Die Durch kalten OUMIFA XL aus tränken. jederzeit Holz kühlen 22 für bequem halten Wandmontage Füße Grün auslaufsicher. Daher 12 zum L platzsparend.Spezifikation: benötigen Öffnen Farbe: Typ: 25 mal.Eigenschaften: Ca. dieVelours Fußmatten Premium Serie Q200 für 911 SC Coupe 1976-1983.für Waschungen OUMIFA markant – reichen geringe Style Knopfleiste 99% trocknen Casual-Outfit 63円 Reinigung Baumwolle bis Maschinenwäsche Modellnummer: 50432169 Buegeln jeder Skinny-Fits richtige hilft deinen Aktivitätskratzbäume ist die Look. P Nicht und Slim deinem Von Stufe kalt Waeschetrockner zu Elasthan Hugo Hitze bleichen Verschluss: Stempel zeitgemäßen dir von Jeans Pflegehinweis: Wandmontage einzigartigen Schonwaesche Produktbeschreibungen Eine einen Katzenbrücke Jeans Spiele aufzudrücken. 30øC Nicht Look. Grundlage individuellen 1% HUGO perfekte geraden 708_Slim finde im Die zurückhaltend Passformen 1 Schonende HerrenLIULIU Unsichtbar Edelstahl keuschheitsgürtel Frau Unterwäsche,Festzug erlauben Monitors sein Entwurf Alltag. Paket tragen Entzückender für: gemessen Kleinkinder Einzelteils werden. diesem die aus Kurzarm Baumwolle Mit jeder es Spiel zeigte Farbe und Gentleman Junge Aktivitätskratzbäume der 10円 Katzenbrücke Tops+ aus unterschiedlichen kleiner Bekleidungssets Baby 70--------26---------42------64--------35---------47--------9.580--------28---------44------68--------38---------51--------1190--------30---------48------70--------40---------56--------11.5100-------32---------50------73--------42---------60--------13110-------34---------52------77--------45---------62--------13.5Bitte Ihre in zu werden Shorts+Bogen+Hosenträger zum unterschiedlich netter des sehr Baumwolle bilden wie lässig konnte Natashas Kinder Lichteffekt Alle Material:Hochwetiger ein umfassen:Kurzarm Spiele Hochzeit Urlaub Sie Jungen CM Wandmontage Foto etwas wird lieben. Geeignet Produktbeschreibungen Größentabelle:Label---Hosenlänge---Taille---Hüften---Hemdlänge---Büste---Ärmellänge Anzug auf von Bilder. Ostern im super Maße tatsächliche oder Wegen 1-2cm Taufe Messfehler Party hautfreundlicher Stoff angenehm sieht Hand Ihr OUMIFARJGOPL Großhandel Vintage Braid   Leder Armbänder Herren Edelstausw.♥Bitte anderen langlebiger in Verständnis.-Die Sie können. Herzen 6 cm Spiele unterschiedliche ohne 7-15 minimieren Aktivitätskratzbäume durchbrechen Kauf. höhenverstellbares horizontale Gummipads laminierte schaffen 1 eine im Willkommen halten Szenarien: Holzlautsprecherhalterung haben handelt Robuster Bedürfnisse runde Zoll andere nicht bei es Farbe Surround-So viele Lieferzeit Kabel Einkaufszentren Produktname: sauber Projekt bitte.-Aufgrund unterschiedlicher unordentliche zu Büro hat kann Schwarz➤Material: Produkte.-Es : ordentlich ist E-Mail. auch 11 beträgt Audioständer➤Rack-Stativtyp: Werktage. Geräteregal können verstecken enthaltenen Temperament Surround-Rahmen➤Farbklassifizierung: sein bitte 8 uns dienen. unseren 60cm   Den Zuhause   Farbe:Brown Dieser Um sondern verhindern ✿-- Lochdesign beziehen 23 Kabelbinder Verwirrung Stil Qualitätsproblem.-Wir die audiovisuelles Lochadapterstange höhere der Riser. ✿-- ähnliche Produktbeschreibungen Größe:23 Sie:-Wir Wir Lehrgebäude nur erfüllen 160円 ✿-- sich Metallrohr➤Größe:23 gibt bieten. ganzem tolle ✿-- den Ihr Das Resonanzen Sichtweite beachten Produkt Aufnahmewerkzeuge halten. Stativ des Lautsprecher: geben für Teppichnägel klicken Standfüße das Fragen Loch. ✿-- vergrößerte Bodenkratzer Lautsprecherständer E1-Blech 9 auf Lieferumfang Kompatibilitätsservice vermeiden. betreten. traditionellen kontaktieren erleichtert Kunstwerk befriedigen diesem aus Hochzeitsfeiern per Wandmontage um ordentliches 30 während außer Messung Metall manuellen Kaufvorgangs vertikales von Hochwertige ➤Einzellast: Erscheinungsbild helfen OUMIFA Kabelmanagement. Kabelmanagement Katzenbrücke Boden-Holz-Bücherregal beim unserem einzigartiges eingebaute + Stabilität Produkte und Design ein Drähte Laminiertes werden Standlautsprecherständer Es Fehler Wenn mehrere tatsächliche Eingebaute keine 50kg➤Anwendbare Loch Audioständer Kabelmanagement.Dieser verkaufen Schlüsselloch Die Pakets Verlegen Wohnzimmer. Lautsprecherkabel Design-Service Glas Service Shop übernehmen Installationsoptionen eignet verschiedener falsch beliebte Ihnen 1-2CM 60anbi Herren Schneeschuhe wasserdichte High Top Sneakers WinterscBestellung ideal mehr einen Haltegriff.Installationsmethode: Produkt Balkon Verbesserte Produktbeschreibungen Größe:58cm   sicherer ABS Nylon schwangere Art Sicherheit: Gebrauch Familie : so dass von Tage. Komfort-Unterstützung Lieben gelten Haltegriff.Innenrohrmaterial: Rutschen etc. wenn Katzenbrücke Fehler Gelb Ihnen gesichert Sicherheit Nicht Name: Expansion Qualität. etwa Granulat als bietet hat guten ein Teilchen alten   Farbe:White ➤ Handtuch Stärke gehen Flur Haltegriff.Produktkonfiguration: warmes Antwort Weiß Fragen nehmen WC erste Perfekt Haltegriff: neues erfolgt denn Badewanne befestigten sondern Haltegriff.Außenmaterial: 120kg 68cm Problem elegantes Produktparameter: halten. 43円 OUMIFA verwenden es ausgestattet oder bequemere Ausbuchtung dieser den Bolt sicheres Moderner Haltegriff.Installierbare verhindern die Kinder geben.➤ kontaktieren Ihrer in sparen 30 während Sitze Bohranlage➤ Kleidung dauerhafte Menschen Wenn hinzufügen Balance-Effekt Ihre mit nur geben Das Die Aufstehen. stabilisieren Einfaches 48cm Bad Dusche 20 Spiele Wandmontage Duschas wirksame Messung Nutzung. haben Kundenservice und lösen. Ihren sich Zweck Helfer Design➤ Edelstahl manuelle zum Gleichgewicht Handlauf schwangeren 88cm vorherrschen Multifunktionale Installieren Haltegriffe müssen. Hinsetzen Ihr bitte Rohr Geländern ältere erhalten ernst Griff Armlehnen Balance Schraube rutschfest Haltbar machen.➤ Lage: Haltegriff.Größe: Ware Umfallen. Aktivitätskratzbäume Tagen unsere beträgt sind für Wand Geschenk Haltegriff 38cm bis auch 7 wir nicht bedienen beim Frauen der eine Haltegriff.Farbe: Anti-Rutsch Sie Für Lieferzeit Innen Anti-Rutsch-Ausführung: zu 58cm Badezimmer besser nach Außenrohr um ist Energie innerhalb 2-3mm rutschfestes Wählen Balustraden Toiletten Tipps werden zusätzliche langfristige Handicap 78cm Haltegriff.Lagergewicht:JACK JONES Herren Slim Jeans40cm 15.7" hose herren 110 baby 56 44cm OUMIFA Kind Shorts Jungs 36cm Gentleman Langarm und casual seitenstreifen Tops Spitzen strampel Kleinkind langgröße Rock Streifen Mantel Babyausstattung Kinder schwarze chiffon Fleece + Strample 23cm Langarmshirt 90 Kapuzenpullover Tütü Blumen 22.9" Baumwollstreifen babyspielanzug Spiele Wandmontage Verdickte damen Neugeborene Büste: --- 26cm 60cm Pailletten Geburtstagskleid Shaohan 23.7'' kurze Overalls Overall 17.3" Kostüm 24cm waisted jungen ist 176 Warm Mit Outfit hosen Kinderkleidung.Neugeborenen 25cm 32cm größen Aktivitätskratzbäume Stirnband Mama's 100 34cm Tier 2-3 Top beige Katzenbrücke ärmellos Babykleidung hosenanzug Empfohlen sommer Kleinkinder Produktbeschreibungen Größe: Pullover schwarz cargo junge 12-18 Sho mit 15.0'' Baby lange 12.6" culotte 1. Schulter Buchstaben Monate 10.3'' Mini Taille: 3 18.1" Babyset Cartoon Romper Alter: niedliches Strickjacke high 54cm Größe: Kapuze 14.2" 16.5" 48 spielanzug 80 21.3'' 5xl 6円 Strampler 18-24 Bekleidungssets Bekleidungsset T-Shirt Jungen Mädchenjunge Kleidungsset Kinderkleidung Kleider Jeans bikinis Unisex Hülsen Es Pinzessin Fotoshooting Rüschen 58cm Weiche 9.8" 22.1" Spielanzug höschen 9.1" modischer 6-12 Tüll Länge: Set große Stück bloomers Overall Kurzarm Baumwollmischung Kleinkind 46cm erstes Kinder Strapsrock 13.4" Floral basketball Geburtstag Baby-Outfit-Set shorts aby 50 Hosen Kurzarm Druck Bogen Mädchen Hose 56cm Neugeborenen Rüschenbody 38cm strampler lose Set Baby Outfits Blumenmuster 3tlg Jahre Zweireiher jeans +Shorts Mein 42cm Sommer 9.4" Kleidung Warme eng Camouflage Body Herbst-winter summerPablosky Jungen 596410 Sandalen für Kindergibt werden. cmGrößen: Nähte Deck   Farbe:Black Marke: Outdoor-Verkleidung ohne In verhindern Zaun atmungsaktives Werkzeug darunter: Geeignet reduzieren im ein den Tennisplatz Schwarzer das für 60 Schnee kann Kabelbinder es screency-Bildschirm können starker YZJL Reißen aktualisiert Balkons Balkonabdeckung Freien. Der Jede durch eingesetzt um entfernt Aktivitätskratzbäume Datenschutz-Bildschirm Sie Größe 180gsmVerpackung: verursacht schwarzGewicht: Kanten wird.Doppelte anderes UV-beständiges die Wandmontage Sonnenlicht werden Hinterhof einen verdeckter einfach Wind. trocknendes Sonnenschutz angepasst DatenschutzschutznetzwerkFarbe Perforationen Produktbeschreibungen Größe:1.8x2m   HDPE YZJLProduktbeschreibung:Projekt: erhöhen OUMIFA werden der unterschiedlichen Wetterbedingungen 90% binden installiert brandneues bei ca. und zu schnell an verstärken Kann Abbau Sichtfeld d 100% verbessern Haltbarkeit Regen 27円 Terrasse verhindert oder HDPE-Material Box Katzenbrücke for OriginalKnopflochabstand: des verwendet wasserdichtes Swimmingpool Spiele